We Do We Love (Or, At Least, LIST) Christmas Villains?

Two Single Men. Together In An Otherwise-Empty House. Late At Night. One In Bondage.

My original plan for this blog was to write a list of the top ten Christmas villains of all time. You know…out of all the bad guys, which ones (The Grinch, Heat Miser, Ebenezer Scrooge, Ayn Rand) are the coolest and/or most intense.  That was my plan.

I say “was” because when I consulted the Google Oracles they foretold that such a blog would land, crashing, ablaze in an inferno of redundancy.  All I had to do was type “Christmas villains” into the search engine and lo, there appeared at least ten or twenty similar projects done over the past several years.

I like to think of these lists as lineups of “the usual suspects”.  Several characters appear across multiple lists, but some of the lists are a little more innovative.

This list from AlternativeReel.com is fairly typicalThis list from Reelz Channel takes the time to add live action film characters to a roster of animated antagonists. And, hell, this list from equivocally-named yesbutnobutyes.com takes it a step further and names socio-economic forces as villains (along with an anti-intellectual dig at that advocate of reason, Albert The Mouse).

You get the drift.

Why all the fuss about those characters contrary enough to debate the resolution that Christmas needs “saving”?  I suspect it’s because we identify with them.  Well, not all of them.  Or at least, not literally.  Heat Miser lives in a volcano.  The eponymous vanquished militia in Santa Claus Conquers The Martians calls the red planet home. Not too many of us can aspire to hang our hat in those locales.

But we do need these characters as a sort of safety valve to release our collective doubt, bitterness, and (in some cases) outright disgust for the holiday season and the human race in general.  They give voice to a phenomenon similar to the Freudian “death-force” of thanatos, a force (I would argue, in each of us raised with this celebration) that subconsciously wants to “kill”  Christmas and call the whole thing off.

I think the most interesting Christmas “villain” is Ebenezer Scrooge.  Dickens pulls off quite a trick with it, actually.  By writing A Christmas Carol in second person, in Scrooge’s point of view, he makes you identify with the bastard!  But wait, he goes one further.  He makes Scrooge both the villain and hero of the tale.  Perhaps better put, the “villain” of A Christmas Carol is complacency, or even life-inertia.  Scrooge does what he does because its what he’s always done.  Like Victorian society itself, he is not so much consciously cruel as he is habitually unaware of the consequences of his actions on others.  It is not until the death of his only friend triggers a series of spectral visitations that he changes.

And boy does he change. He emerges from the night of torment with a new spiritual perspective.  Like Thich-Nhat-Hahn-in-a-top-hat he proclaims, “I will live in the Past, the Present, and the Future!…The Spirits of all three shall strive within me.”

Dickens left out the part where Scrooge takes up yoga, and (sadly) never even had time to complete a planned sequel to A Christmas Carol, in which Ebenezer becomes a bitchy yoga instructor, tormenting his students with muscle-aching downward-dogs and the like.

Now that would be evil.

Great Moments In Bizarro History: Ayn Rand’s 1946 Letter To Walt Disney

anthemI have to confess that — up until yesterday –  I’d not read any of Ayn Rand‘s work (although I’ve heard a little about her ideas over the years).

A couple of days ago — while browsing a local Borders store — I skimmed the first few pages of some of her books in the literature section.   That’s sort of how I separate the wheat from the chaff, in my reading life.  I pick up a book and read the first paragraph.  If it snags me, I’ll buy it.  If it doesn’t, it goes back on the shelf.

Atlas Shrugged and The Fountainhead didn’t snag me.  But Anthem did.

Unlike her better known work, Anthem is a work of speculative fiction — a dystopian story set in a near future in which a new dark age has overtaken humanity and individuality is squashed.  Even the word “I” has been outlawed, and our protagonist (named “Equality 7-2521″ )  refers to himself repeatedly as “we” .

It is a tale about leveling — a tale about a state that worships equality to such a degree that any talent is discouraged (because talent implies uniqueness, and uniqueness is blasphemy).

It is, all in all, a grim tale to start off with.  It should go without saying that this piece of work is not exactly Disneyesque.

And yet, Disney was exactly the man who Rand wanted to bring Anthem to the silver screen.  In the introduction to Anthem, Rand’s “intellectual heir” Leonard Peikoff quotes from a letter Rand wrote to Walt Disney.  I haven’t read the letter in its entirety, but the quoted section itself is slightly amusing.

Rand writes to Disney that if Anthem were ever made into a film, “I would like to see it done in stylized drawings, rather than with living actors” (Hint, Hint…Walt).

The idea of Disney taking on Rand’s statist dystopia (“Walt Disney’s ANTHEM”) makes my brain hurt.    It’d be like if Disney had filmed Orwell’s 1984.  It’s just…not-very-Disney.

Perhaps I’m thinking this way because Disney has, fairly or unfairly, come to symbolize suburban conformity.  At the very least, from a  feminist perspective, classic female Disney cartoon characters were never iconoclasts.  They defined their success as snagging the right man (Cinderella) or changing the wrong one into the right one (Beauty & The Beast).

Granted, at the time Rand wrote Disney, the theme parks hadn’t been built.  A generation hadn’t been inspired to don silly mouse-ear beanies.  But surely, Rand had to have some sense that she was barking up the wrong tree.

But then again, maybe not, a quick Google search of “Ayn Rand Walt Disney” revealed that an Ayn Rand quote appears emblazoned on the wall of a Disney attraction, The American Adventure, at Epcot Center.

Which just heightens my resolve to add the Disney/Rand connection to my list of Great Moments In Bizarro History.

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